Reviews: Films

The Departed

Eric Wills reveals how Nietzschean morality is displayed in Martin Scorsese’s Oscar-winning movie.
[Issue 65: January/February 2008]

Zizek!

Grant Bartley! investigates the film as a distillation of the man.
[Issue 64: November/December 2007]

Pi and the Movie Mind

A number of recent films deal with mathematics and mathematicians. Can we learn something from them or are they misleading? Peter Stone investigates.
[Issue 64: November/December 2007]

The Politics of Education

Judith Suissa considers the intersection of political philosophy and philosophy of education in Alan Bennett’s new film The History Boys.
[Issue 63: September/October 2007]

Just Ask The Dust

Existentialism goes to the movies. Nick DiChario finds that the novel fills spaces the film doesn’t even have.
[Issue 62: July/August 2007]

The Western as Philosophy

Revisiting the Western convinces Thomas Wartenberg that historical progress is not just a simple question of good heroically triumphing over evil.
[Issue 61: May/June 2007]

Shakespeare in Hollywood

Francis Akpata argues that Shakespeare would be a film director not a playwright in today’s high-media world.
[Issue 60: March/April 2007]

Leon

Is Leon a good guy? Mike Parker analyses the character of the eponymous anti-hero through the moral philosophy of Schopenhauer.
[Issue 59: January/February 2007]

9/11 and World Trade Center

Thomas Wartenberg sees two films about 9-11 and muses that sometimes more than courage is called for.
[Issue 58: November/December 2006]

Philosophical Twist

Thomas Wartenberg tells us his hunch about a cunning plan to market DVDs. Is turning epistemology into showbiz a good thing or a bad thing?
[Issue 57: September/October 2006]

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