Themed Articles

Rules, Language & Reality

George Wrisley considers how some of Wittgenstein’s later ideas on language relate to reality.
[Issue 58: November/December 2006]

Performance Is The Thing

Dzifa Benson is compelled to consider the nature of performance.
[Issue 57: September/October 2006]

So how do you apply philosophical principles to think about art? An example can be derived from an unlikely source. Reneh Karamians uses Heidegger’s philosophy as an illustration of how to understand aesthetic experience.
[Issue 57: September/October 2006]

Art As Sensation: Four Painters As Philosophers Of Art

Patricia Railing explains the philosophical ideas behind some of abstract art’s most famous abstractions.
[Issue 57: September/October 2006]

How Do Pictures Represent?

Marek Soszynski considers whether it couldn’t look like resemblance after all.
[Issue 57: September/October 2006]

Aesthetics and Philosophy: A Match Made in Heaven?

To introduce our art issue, Anja Steinbauer describes the troubled relationship between art and theory.
[Issue 57: September/October 2006]

Art (and Philosophy) and the Ultimate Aims of Human Life

Raymond Tallis is hungry to expand human consciousness through art.
[Issue 57: September/October 2006]

Music & Emotion

Why do we feel emotion when listening to music? Ben Ushedo goes beyond emotivist and cognitivist approaches to answer this intriguing question.
[Issue 57: September/October 2006]

Fundamentals, Islamists and the West

Imadaldin Al-Jubouri considers how some Muslim fundamentalists justify their aggressiveness – by misreading the Qur’an, among other things.
[Issue 56: July/August 2006]

The Truth about Heresy?

Grant Bartley lays down the law in favour of the ‘right’ sort of heresy.
[Issue 56: July/August 2006]

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