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Results 11 to 20 of 538 for "film" (0.608 seconds)

Films and Plays

What happens when a playwright and a theater director make a movie? Our film critic Thomas Wartenberg recently found out, and it led him to ponder the less obvious differences between films and plays.
[Issue 34: December 2001 / January 2002: Films: 38 matches]

The Matrix Reloaded

Our movie maestro Thomas Wartenberg plugs himself into The Matrix Reloaded but says that philosophically, it was destined to be dull.
[Issue 42: July/August 2003: Films: 37 matches]

Time Code

In another intrepid exploration of the possibilities of the silver screen, our very own movie maestro Thomas Wartenberg takes notes on an experimental new film called Time Code.
[Issue 30: December 2000 / January 2001: Films: 36 matches]

Spanglish

Thomas Wartenberg ponders the classic dilemma of the Good Mother in a film about ethnicity, renunciation and cookery: Spanglish.
[Issue 50: March/April 2005: Films: 34 matches]

Memento

Does Hollywood sometimes get everything back-to-front? A new film called Memento certainly does. Our movie maestro Thomas Wartenberg takes a look.
[Issue 33: September/October 2001: Films: 33 matches]

The Philosophy of Film Noir

Les Reid sees through a lens darkly with Mark Conard.
[Issue 69: September/October 2008: Books: 33 matches]

Films and existential angst

Ladies and gentlemen… 21st Century Philosophy Now is proud to present the first showing in a new series of philosophical film articles by Thomas Wartenberg. In this installment he looks at American Beauty, Fight Club and Being John Malkovich.
[Issue 27: June/July 2000: Films: 33 matches]